Establishing Independent Practice

© 2003 By Rebecca Martin

Parent involvement is a cornerstone of the Suzuki Method and figures prominently in the success of the program. Teachers work closely with parents training them to help their children at home.  This relationship between teacher and parent ideally speeds the learning process, maximizes practice time and eliminates wasted time practicing incorrectly.  Having parents at the lesson keeps them actively involved.  Their careful note taking saves the teacher time. They know exactly what is expected during the week's practice. The parent witnesses the developing relationship between the student and teacher. 

I've had parents tell me that they love the time they spend in my studio. They say the lesson offers a needed respite from the worries of every day life. They sometimes say it is the best part of their week.  SO HOW DO I TELL THEM THAT THEY CAN'T COME ANYMORE???  When is it time for parents to stop coming to lessons and for students to practice on their own? 

Teachers want their students to work independently.  Our job is to teach technique, musicality, theory, and reading so that ultimately, our students don't need us to learn new music.  Each child is different. Some children can work alone at age eight and some are not ready at thirteen.  I asked many of my older students when they knew they were ready to practice alone. Here are their responses: 

My Mom/Dad and me were having conflict during the practice times.

I outgrew my Mom/Dad's ability at the piano.

I decided I wanted alone time at my lesson.

I asked several parents when they knew their child was ready for independent work.

My child was going to the piano more and more on their own without my supervision.

I couldn't keep up with the same rate of progress as my child.

They didn't want to listen to my advice anymore.

I remember when my daughter's piano teacher told me it was time to stop coming to her lessons.  I could not believe my ears. I had been coming for so long and had learned so much from observing the lessons. How would I know what was going on?  How could I make sure everything was being completed?  How could she possibly succeed without my help?! I had to take a deep breath and allow her to transition into independent learning. I had succeeded in getting her off to a good start and now it was her turn to continue.  I would miss coming to her lessons but I knew it was time. In the beginning it took a little longer to learn pieces, but eventually everything settled down. I saw the pride my daughter felt as she learned the music on her own. She still invited me in to hear her pieces and asked for help when she needed it. We had established a practice time very early in the morning before school. It was wonderful to have the house filled with beautiful music first thing in the morning (without being down in the studio with her!).

Like every other event in a child's life, (crossing the street alone, riding a bike, having a first sleep over away from home, going to KINDERGARTEN, DRIVING!) it is a natural but sometimes scary process to send the child into the lesson alone. However, when the parent stops coming to the lesson, the relationship between the student and teacher changes. I love this phase. My students open up more without the parents present and I get to know them as young adults.  This is where the fun starts.  I feel privileged to be part of this stage of their growth.  Encouraging them as independent learners ensures that they will enjoy music forever.

Click the following links to download
a pdf version of the following articles.

Hire a Teenager!

I Want Piano Lessons to be Fun

Establishing Independent Practice

The above articles were published in the
Suzuki Association of Colorado newsletter
during 2003 and 2004.

 

 

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Rebnotz © 2005 by Rebecca Martin